Indigenous Loves

We cry because we feel unhappy and unloved. We cry because we care. We cry because we hurt, but more than that, we cry because we are unwise. These are the tears that make more tears. Enough di ga as wo s di! Enough tears! Most of the time we try to have as few tears as possible, but they are as much a part of us as laughter. They can do a cleaning job that nothing else can touch. But like everything else, it can be overdone. Emotional people are usually caring. And it either makes life worthwhile or keeps it in such upheaval that nothing can be positive. There is a time to laugh and a time to cry. We have to remember that enough is enough and try to balance our approach to living. ~ I heard....that I should be like a man without a country. I shed tears. ~

𝗭𝗮𝗵𝗻 𝗧𝗼𝗸𝗶𝘆𝗮-𝗸𝘂 𝗠𝗰𝗖𝗹𝗮𝗿𝗻𝗼𝗻 is an American actor of Native American descent, born on October 24, 1966, in Denver, Colorado, USA. He is of Hunkpapa Lakota heritage, a Native American tribe within the Lakota lineage. McClarnon has had a diverse and successful acting career, appearing in films, television shows, and on stage.
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One of McClarnon's most notable roles is as Mathias in the A&E television series "Longmire." This role helped him gain attention from the public and marked his presence in the film industry. McClarnon has also participated in other film and television projects such as "Fargo," "Westworld," "Barkskins," and "Doctor Sleep."
Beyond his acting career, McClarnon has contributed to Native American culture by portraying characters and stories of the Native American community on screen. His roles often carry a humanitarian aspect and reflect the issues and experiences of Native Americans in modern society. He has worked diligently to portray diversity and depth in his roles, helping to increase awareness and understanding of Native American culture and life.
By engaging in film and television projects and portraying Native American characters with sensitivity and authenticity, Zahn Tokiya-ku McClarnon has contributed to the diversification and development of the entertainment industry while honoring and respecting the culture of the Native American community. Additionally, McClarnon has been actively involved in social and political activities within the Native American community, using his influence to advocate for the rights and fairness of his people. Through his career and activism, he has become a symbol of pride and dedication to the Native American community, dedicating his life to shedding light on and contributing to the development and progress of this community.
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HELL BENT FOR LEATHER, circa 1882-90. Charles D. Kirkland captured the cowboy race. Some hat brims were folded back by wind, since horses can sprint 35+ mph. Several riders were using their quirts (short-handled whips). In the background were the cavvy (working horses of the roundup), cuts of cattle, and the cowboys holding them. Kirkland likely made the shot on a pool roundup near Cheyenne, Wyoming.

My favorite Old West photographer, L.A. Huffman of Miles City (Montana), was known for his action shots of cowboys at work. Kirkland's stunning shot revealed that at least one other frontier photographer was attempting similar action shots. If using a PC, click image to enlarge/clarify this spectacular vista. Text and digital restoration by Gary Coffrin.