Cherokee Indian Native

"Need a big YESS from true fan

𝐇𝐚𝐩𝐩𝐲 𝐁𝐢𝐫𝐭𝐡𝐝𝐚𝐲 𝐭𝐨 𝐑𝐨𝐛𝐞𝐫𝐭 𝐃𝐞 𝐍𝐢𝐫𝐨🎉- 𝐀 𝐭𝐫𝐮𝐞 𝐚𝐫𝐭𝐢𝐬𝐭 𝐰𝐡𝐨 𝐡𝐚𝐬 𝐬𝐡𝐚𝐩𝐞𝐝 𝐦𝐨𝐝𝐞𝐫𝐧 𝐜𝐢𝐧𝐞𝐦𝐚 𝐰𝐢𝐭𝐡 𝐫𝐞𝐥𝐞𝐧𝐭𝐥𝐞𝐬𝐬 𝐭𝐚𝐥𝐞𝐧𝐭 𝐚𝐧𝐝 𝐝𝐞𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧.

Robert De Niro was born on August 1943, in New York City, into an artistic family. He began his career in the 1960s and rose to prominence with roles in Bang the Drum Slowly (1973), Mean Streets (1973), and especially The Godfather Part II (1974), which earned him an Academy Award for Best Supporting Actor.
He continued to impress with Taxi Driver (1976), Raging Bull (1980 – Best Actor Oscar), Goodfellas, Casino, Heat, The Irishman (2019), and Killers of the Flower Moon (2023). Beyond acting, he co-founded the Tribeca Film Festival, the global Nobu restaurant chain, and is a vocal advocate for social justice, arts education, and climate action. With over 60 years of dedication, De Niro stands as a living icon of cinematic excellence and civic responsibility.
❤️ Proud to be a Native American 🔥
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Chief Dan George once stopped a rehearsal on The Outlaw Josey Wales, pointed at a line written for him, and said, “If you expect me to speak words that insult my people, I will leave this set right now.”

Clint Eastwood looked up.

The entire cast waited.

The script would change or the scene would die.

George had been hired because studios wanted authenticity, yet those same studios kept handing him dialogue filled with stereotypes. On this film, one scene crossed a line he refused to tolerate. The script described Native characters as simple minded. George pushed the pages aside and told the writers they had confused history with prejudice.

The producers pulled him aside.

They warned him the budget was tight.

They reminded him he was not the lead.

George told them none of that mattered. If the scene remained, they could replace him.

Eastwood asked what the line should have been.

George delivered a version drawn from lived truth rather than Hollywood guesswork.

It was quiet, direct, and grounded in dignity.

Eastwood approved it on the spot.

The producer did not.

George held his ground until the producer gave in.

That moment became the turning point on set.

Cast members began asking George for guidance on how to avoid false portrayals.

Writers stopped sending him dialogue without running it past him first.

Eastwood later said that George’s notes made the film better than anything they had planned.

But the deeper scandal came off set.

During the film’s early promotion, a studio publicist suggested describing George as a “real life relic of the Old West.” The phrase appeared in a draft press release. George saw it and refused to participate in any publicity until the language was removed. He told them he was an actor and a chief, not a museum exhibit.

The publicist apologized.

The studio rewrote the material.

George attended the premiere.

Years later, Indigenous actors revealed that George’s refusal to accept romanticized or degrading portrayals opened doors for them. He had fought battles quietly that others never knew about. One actor said, “He told the truth when everyone preferred the costume.”

Chief Dan George is remembered for gentleness, humor, and the wisdom of his performances.

The real story shows something far sharper.

He corrected Hollywood from the inside,

he forced directors and studios to confront their blind spots,

and he delivered authenticity on sets that expected him to simply play along.

He was not just acting.

He was protecting a truth the industry had ignored for generations.