Laney Contemporary

Step inside the digitally curated blue room. Link in bio.

Jeremiah Jossim
Foothills, 2025
Oil on panel
24 x 18 in

Marcus Kenney
Still Life, 2025
Collage, marble dust, and oil on canvas
24 x 18 in

Will Penny
I’m so broke I can’t even pay attention, 2024
Acrylic on vintage cotton, aluminum composite and wood
22 x 18 x 1 in

Parker Stewart’s “Pulaski, Savannah, 2021” - a striking example of formalism. We are open tomorrow from 11 to 2pm.

Jack Leigh & Parker Stewart: In Place
On View through August 1st

The Blue Room • step inside our digital viewing room - link in bio.

There are blues that are quiet and blues that are loud, but they all speak the language of the soul. — Matisse

Ansley West Rivers
Confluence of the Missouri River, Three Forks, Montana, 2013
Seven Rivers, Edition of 7 + 2 AP (in each size)
Archival pigment print
Available as a 24 x 30in and 40 x 50in

Betsy Cain
night swim with bioluminescence, 2024
oil on canvas
60 x 60 in

Will Penny
Gamut Relief LXXV, 2025
Acrylic on renshape 5030 and aluminum composite
13.75 x 12 x 1.5 in

Link in bio for pricing or inquire for price via DM or info@laneycontemporary

Stop in to view Jack Leigh’s “Breakfast at the Barbecue Pit, 1984.” We are open this week through Friday. Closed Saturday to celebrate the 4th.

~Jack Leigh & Parker Stewart: In Place~
On view through August 1st

Peek inside the blue viewing room. Link in bio.

Image 1: Namwon Choi
248 miles (Full Barricade)

Image 2: James Benjamin Franklin
Untitled work on paper

Image 3: Jeremiah Jossim
Diamond in the Square (Prairie Footbridge)