Anonymous Society

While Anonymous Society is on a break until the middle of June, be sure to stop in to the gallery to see latest exhibition Child’s Play. Opening this Saturday, April 25, this group exhibition features 17 artists inspired by the act of play.

Final moments of In the Middle of It.

As this exhibition comes to a close, Anonymous Society extends sincere thanks to the artists whose work shaped the space with such care, complexity, and presence. Their contributions have defined the exhibition.

There are just a two days left to experience the installation in person. Visitors are encouraged to stop in and spend time with the work before the exhibition closes.

Please join us to close out the exhibition on Saturday, April 11th from 12 to 2pm. Light refreshments will be served and the space will be open for gathering, reflection, and conversation.

Featuring Artists
Amanda Wolf
Becky Bailey
Bill Gore
Brandon Brownlee .Brownlee
Brittany Baldwin
Jocelyn Russell
Joseph Annino
Kate Greenwell
Michele Riche

Anonymous Society at Jim Felice Studios
12 Francis J Clarke Circle
Bethel, Connecticut

Anonymous Society is open today from 1 to 5pm.

Michele Riche

Walking the Monster
Oil on Canvas, 2025

Beneath the Surface
Oil on Canvas, 2025

Michele Riche’s paintings explore identity and psychological tension through pared compositions and layered surfaces. By revealing traces of earlier paint beneath the image, the work holds both presence and absence within the same space. Riche's paintings in In the Middle of It, reflect the quiet complexity that exists beneath familiar imagery.

In the Middle of It
Anonymous Society
On view through April 11

Joseph Annino
A Vessel
Cyanotype, 2023
Edition of 7

Joseph Annino’s work explores memory and perception through photographic imagery drawn from daily life. By translating these images through different processes, he reflects on the relationship between past experience and the present moment. In In the Middle of It, the work speaks to navigating that space between where we have been and where we are going.

In the Middle of It
Anonymous Society
On view through April 11

Brandon Brownlee .brownlee

Fish Bones
Oil on Canvas, 2026

Brandon Brownlee paints overlooked domestic spaces where everyday objects quietly accumulate. Shelves, tools, and corners become sites of narrative, suggesting unseen relationships between objects and the lives around them. In In the Middle of It, these scenes reflect the quiet moments that exist within the flow of daily life.

In the Middle of It
Anonymous Society
On view through April 11

Jocelyn Russell

Change is the Only Constant
Denim, Mulberry, and Wax, 2024

What is Counted, What is Left
India Ink, Smoke, Paper, 2024

Jocelyn Russell works through slow, tactile processes where form develops through repetition and material response. Layering, burning, and repair leave visible traces of touch and time. Within In the Middle of It, the work reflects the act of making as an ongoing process rather than a fixed outcome.

In the Middle of It
Anonymous Society
On view through April 11

Brittany Baldwin

Hot Feet
Acrylic and Pastel on Cradled Panel, 2025

Seaweed Omen
Acrylic and Pastel on Cradled Panel, 2025

Brittany Baldwin’s paintings move between gesture and structure. Glyph like forms hover between abstraction and figuration, building layered compositions influenced by landscape and myth. In In the Middle of It, the work reflects the shifting space between stability and movement.

In the Middle of It
Anonymous Society
On view through April 11

Kate Greenwell

Dedication
Collage on Found Board, 2025

Kate Greenwell combines collage, drawing, and printmaking to reconsider cultural imagery of the American South. Working with archival materials, she reframes inherited narratives through contemporary mark making. In In the Middle of It, her work reflects the space between past histories and present interpretation.

In the Middle of It
Anonymous Society
On view through April 11

Becky Bailey

Eroding Vessel
Glazed Ceramic, 2025

Becky Bailey’s work emerges through material investigation and an attention to time and place. Her ceramic forms suggest shifting landscapes where surfaces erode, accumulate, and transform. Within the context of In the Middle of It, these objects hold a sense of ongoing change, capturing moments where structure and instability coexist.

In the Middle of It
Anonymous Society
On view through April 11

Tennessee
Oil on Canvas, 2023

Working from direct observation, Amanda Wolf paints the tension between order and overwhelm found in everyday spaces. Organic patterns and recurring forms become moments of quiet structure, where chaos and calm exist side by side. Exhibiting In the Middle of It, her work reflects the experience of holding these opposing sensations at once and finding balance within them.

In the Middle of It
Anonymous Society
On view through April 11