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KIMPEDRO's PaperBag Graphix PLUS!

It seems like colour psychology is a social construct we assume to be true,.. and besides, what difference does it make..? But when we look at the history of these sort of connections and metaphors, they’re not innocent.

Comment ‘art life’ to get my taste-test and find art you’ll love forever.

Comment ‘made legacy’ to learn about the art myself and my studio make with personal memories.

Comment ‘get creative’, and get a link to connect:
As an artist,
An art advisor,
Or creative mentor

#artlife #artists #isthisart #3ns

06/05/2026

https://www.instagram.com/reel/DYKMu87CX5A/?igsh=b2V3Y2hxaDlldnhs

It seems like colour psychology is a social construct we assume to be true,.. and besides, what difference does it make..? But when we look at the history of these sort of connections and metaphors, they’re not innocent. Comment ‘art life’ to get my taste-test and find art you’ll love forever. Comment ‘made legacy’ to learn about the art myself and my studio make with personal memories. Comment ‘get creative’, and get a link to connect: As an artist, An art advisor, Or creative mentor #artlife #artists #isthisart #3ns

The FBI Most Wanted Cartoonist: Unfiltered Story of Jackie Ormes

In 1946, a Black girl character named Patty-Jo began mocking the atomic bomb and the U.S. government in national newspapers. The creator? Jackie Ormes—the first Black woman cartoonist. While her characters wore high-fashion and lived in luxury, the FBI was busy building a 287-page file on her "subversive" brilliance. We are diving into the declassified dossier to show how a woman from Pittsburgh used a pen to fight environmental racism and McCarthyism decades before the rest of the world caught up.

Under section 107 of the copyright Act 1976, allowance is mad for FAIR USE for purpose such a as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statues that might otherwise be infringing. Non- Profit, educational or personal use tips the balance in favor of FAIR USE.

#Repost @blackhistoryunfiltered on YouTube

SOURCES & REFERENCES:FBI FOIA File #100-HQ-404368 – Federal Bureau of Investigation (The 287-page surveillance dossier on Zelda Mavin Ormes).Pittsburgh Courier Archives (1937–1938) – Billy Ireland Cartoon Library (Original runs of "Torchy Brown in Dixie to Harlem").Chicago Defender Editorial Records (1945–1956) – The Chicago Defender Archive (Records of "Patty-Jo 'n' Ginger").Terry Lee Doll Company Contracts (1947) – NMAAHC (Documentation of the first Black character doll).

📚 SOURCES FOR THIS VIDEO:The Billy Ireland Cartoon Library & Museum – The primary repository for Ormes’ original pen-and-ink drawings and correspondence.University of Michigan Press – Research documentation from Nancy Goldstein’s definitive biography Jackie Ormes: The First African American Woman Cartoonist.The National Museum of African American History and Culture – Archival records on the Patty-Jo doll and its impact on the toy industry.Every claim in this video is backed by official documents and academic research. We don't make this up—we uncover what was buried. DM for specific page numbers or additional citations.

05/21/2026

https://www.instagram.com/reel/DXzcBIGRicL/?igsh=dmVmdGEyMGpxcXV0

The FBI Most Wanted Cartoonist: Unfiltered Story of Jackie Ormes In 1946, a Black girl character named Patty-Jo began mocking the atomic bomb and the U.S. government in national newspapers. The creator? Jackie Ormes—the first Black woman cartoonist. While her characters wore high-fashion and lived in luxury, the FBI was busy building a 287-page file on her "subversive" brilliance. We are diving into the declassified dossier to show how a woman from Pittsburgh used a pen to fight environmental racism and McCarthyism decades before the rest of the world caught up. Under section 107 of the copyright Act 1976, allowance is mad for FAIR USE for purpose such a as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statues that might otherwise be infringing. Non- Profit, educational or personal use tips the balance in favor of FAIR USE. #Repost @blackhistoryunfiltered on YouTube SOURCES & REFERENCES:FBI FOIA File #100-HQ-404368 – Federal Bureau of Investigation (The 287-page surveillance dossier on Zelda Mavin Ormes).Pittsburgh Courier Archives (1937–1938) – Billy Ireland Cartoon Library (Original runs of "Torchy Brown in Dixie to Harlem").Chicago Defender Editorial Records (1945–1956) – The Chicago Defender Archive (Records of "Patty-Jo 'n' Ginger").Terry Lee Doll Company Contracts (1947) – NMAAHC (Documentation of the first Black character doll). 📚 SOURCES FOR THIS VIDEO:The Billy Ireland Cartoon Library & Museum – The primary repository for Ormes’ original pen-and-ink drawings and correspondence.University of Michigan Press – Research documentation from Nancy Goldstein’s definitive biography Jackie Ormes: The First African American Woman Cartoonist.The National Museum of African American History and Culture – Archival records on the Patty-Jo doll and its impact on the toy industry.Every claim in this video is backed by official documents and academic research. We don't make this up—we uncover what was buried. DM for specific page numbers or additional citations.

Thank you so much for this Houston base Gallery who support and display African and African-American @mitochondria.gallery & also @ejirofenegal she does an amazing job her art work is exquisite, stunning phenomenal amazing magnificent and beautiful will be showing in Chicago for the Obama library art exhibition Everyday People june19th 227& 60th Chicago, IL 60618

05/21/2026

https://www.instagram.com/reel/DYfwDEBuLoz/?igsh=YXlsbzlvd3hmaTh0

Thank you so much for this Houston base Gallery who support and display African and African-American @mitochondria.gallery & also @ejirofenegal she does an amazing job her art work is exquisite, stunning phenomenal amazing magnificent and beautiful will be showing in Chicago for the Obama library art exhibition Everyday People june19th 227& 60th Chicago, IL 60618

09/30/2024

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