s7cag

Through strategic partnerships with select cultural venues, Sector Seven Contemporary Art Gallery () presents rotating exhibitions of original contemporary artwork available for acquisition. By utilizing these unique spaces, the gallery expands access to fine art beyond traditional gallery walls while maintaining a strictly curated exhibition and acquisition experience.

Currently, Jones Coffee Roasters in South Pasadena is hosting a new collection by multidisciplinary artist Maria Go as part of the S7CAG exhibition program. Guests are invited to view the collection during operating hours, 7:00 AM to 5:00 PM daily, with extended summer hours until 6:00 PM.

A resident of South Pasadena since 2001, Maria Go’s current practice is an intuitive fusion of watercolor and collage. Her work is shaped by her unique background as a missionary child and a deep admiration for Expressionist masters such as Alexei von Jawlensky and Franz Marc. Exploring the profound depth found in simplicity, Go utilizes bold geometric forms to reflect her theory that there is “perfect balance in imperfection.” Drawing from a diverse technical background in photography and fiber arts, she focuses on capturing the beauty of the natural world through deliberate layers of paper and saturated pigment. Her work has been selected for prestigious juried exhibitions, including the Brand Library & Art Center’s National Juried Exhibition and the Sanchez Art Center’s 50|50 show.

For Go, the ultimate purpose of art is to provoke curiosity, wonder, and emotion through human connection. A staunch advocate for “third-space” exhibitions, she believes that placing original artwork in community hubs creates the “magical possibility of accidental inspiration” for neighbors and friends alike. Whether working with vibrant Japanese watercolors or intricate paper elements, Go finds joy in making art accessible, viewing it as a vital thread that connects her family, her local community, and the natural world.

The complete collection of artwork by Maria Go is featured in our online gallery. We invite you to explore the collection and acquisition details via the links in our bio.

Sector Seven Contemporary Art Gallery (S7CAG) is pleased to announce the debut solo exhibition of Eunice Lee, opening at Jones Coffee Roasters in South Pasadena. Located at 1006 Mission St, South Pasadena, CA 91030, this special collection features original works created with gouache and colored pencil on watercolor paper. The exhibition is officially open for viewing from Sunday, April 12, through Sunday, June 14, 2026. Guests are invited to explore the collection during daily operating hours from 7:00 AM to 5:00 PM, with extended hours until 6:00 PM during the summer season.
Eunice Lee is a visual development artist and illustrator based in South Pasadena. Originally from La Crescenta and a graduate of ArtCenter College of Design, she has contributed to major projects across animation, games, and publishing for studios such as Titmouse, Blur, Nickelodeon, and ShadowMachine. Alongside her work in the entertainment industry, Eunice’s personal practice is inspired by the warmth and gentle glow of everyday moments.
“I primarily work in gouache, sometimes combined with colored pencil,” Eunice shares. “I’m drawn to gouache for its vibrancy and opacity, while colored pencil adds quick texture and layering that complements the paint. My background in visual development has shaped how I think about composition and storytelling; I approach each piece with an emphasis on clarity, structure, and mood.”
In addition to the physical display at Jones Coffee Roasters, Lee’s collection is available for acquisition on the S7CAG website, where visitors can also read a full interview regarding her background and creative process. S7CAG is dedicated to bringing contemporary art into the community by partnering with select cultural venues to present rotating exhibitions, expanding access to fine art beyond traditional gallery walls.

I was pleasantly surprised today while visiting the home of an artist, art collector, and humanitarian who supports artists with disabilities throughout Mexico, Central America, and South America. I was taken aback to rediscover that their significant other had purchased an artwork by Robert Sherrill years ago as a birthday gift. The piece was installed centrally in their beautiful home, easily visible from both the living room and dining room.

Their collection includes notable local, national, and international artists, so it was especially exciting to realize our role in being part of not only a growing art collection, but also—if only in a small way—their everyday experience of living with art. It is always fascinating to see where artworks end up and how meaningfully they can shape the atmosphere of a home or office.

Seeing a Robert Sherrill piece years after it was acquired signals, at least to me, that art doesn’t disappear after acquisition; it settles, ages, and accumulates meaning. Furthermore, I’m witnessing and understanding that artwork is not just an object for sale, but a lived presence—installed, remembered, and woven into daily life. There’s a quiet humility in realizing that once art leaves the studio or gallery, it belongs to a much larger story.

Possibly, art’s real power often reveals itself long after the exchange, in the intimacy of daily life.