Management

It is the last week to see Asif Mian’s solo exhibition, “The Village Bites Itself.” Until Sunday, December 17.

“One piece, Family Tree, Poisoned Roots (all works cited, 2023), is a tribal Afghan rug made from wool, carefully cut apart and merged with a piece of bright-blue synthetic carpet. A stylized X appears at the center of the work: a symbol of death, toxicity, evil. But in genetics, which Mian studied at Drew University in New Jersey, the X is also one of the two chromosomes that help establish sex—the “poisoned root,” perhaps, of binaristic thinking and ideas regarding biological determinism.” — for

Images: Asif Mian, “Family Tree, Poisoned Roots”, 2023
Afghan tribal wool rug, polypropylene carpet, alcohol ink
85 x 74 inches

Photography by .art

Asif Mian’s solo show “The Village Bites Itself” is an Critics’ Pick. The show is on view until December 17.

Thank you 🥂

We are pleased to announce Asif Mian’s first solo show at the gallery.

Opening November 8, 6—8 PM

Asif Mian (b. Jersey City, NJ), earned a BS Biology (Genetics) & BA Studio Art from Drew University, an MFA from Columbia University (2018), and attended the Skowhegan School of Painting and Sculpture (2018). Mian’s multi-chapter project, RAF, was the focus of a 2021 solo exhibit at the Queens Museum for the Queens Museum-Jerome Foundation Emerging Artist Award. Mian has also exhibited at The Kitchen for the Whitney ISP curatorial exhibition, The Shed: Open Call, BRIC, and Queens Museum for ‘Queens International: Volumes’. Recently, Mian was awarded the 2022 Rema Hort Mann Foundation Emerging Artist Grant and participated in the Okayama Art Summit 2022 curated by Rirkrit Tiravanija.

📷 .art

We are pleased to announce our participation in with a solo presentation of Vladislav Markov’s new work.

November 2—5, 2023
Torino, Italy

Please stay tuned for further announcements.
waves

Charlotte vander Borght
Someone, No One, Anyone, 2023
Resin, fiberglass, wood, urethane, pigment
55 x 38 x 21 inches / 140 x 97 x 53 cm

On view until August 13 as part of “The Third Kind,” curated by and .