Native American Spirit

Before explorers arrived, thriving nations already called this land home. They built communities, systems of leadership, trade networks, and strong cultural traditions.
History should tell the whole story — not just where one group arrived, but who was already here. When we include every chapter, we create a clearer and more honest understanding of the past.
Respecting history means recognizing depth, culture, and legacy. A complete story helps build awareness, respect, and connection between communities.

𝐇𝐚𝐩𝐩𝐲 𝐁𝐢𝐫𝐭𝐡𝐝𝐚𝐲 𝐭𝐨 𝐑𝐨𝐛𝐞𝐫𝐭 𝐃𝐞 𝐍𝐢𝐫𝐨- 𝐀 𝐭𝐫𝐮𝐞 𝐚𝐫𝐭𝐢𝐬𝐭 𝐰𝐡𝐨 𝐡𝐚𝐬 𝐬𝐡𝐚𝐩𝐞𝐝 𝐦𝐨𝐝𝐞𝐫𝐧 𝐜𝐢𝐧𝐞𝐦𝐚 𝐰𝐢𝐭𝐡 𝐫𝐞𝐥𝐞𝐧𝐭𝐥𝐞𝐬𝐬 𝐭𝐚𝐥𝐞𝐧𝐭 𝐚𝐧𝐝 𝐝𝐞𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧.
Robert De Niro was born on August 17, 1943, in New York City, into an artistic family. He began his career in the 1960s and rose to prominence with roles in Bang the Drum Slowly (1973), Mean Streets (1973), and especially The Godfather Part II (1974), which earned him an Academy Award for Best Supporting Actor. He continued to impress with Taxi Driver (1976), Raging Bull (1980 – Best Actor Oscar), Goodfellas, Casino, Heat, The Irishman (2019), and Killers of the Flower Moon (2023). Beyond acting, he co-founded the Tribeca Film Festival, the global Nobu restaurant chain, and is a vocal advocate for social justice, arts education, and climate action. With over 60 years of dedication, De Niro stands as a living icon of cinematic excellence and civic responsibility.
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In 1991, Graham Greene sat in the audience at the Academy Awards as a Best Supporting Actor nominee for his role as Kicking Bird in Dances with Wolves (1990). For many actors, such a moment becomes a launchpad—bigger deals, louder visibility, a fast track to stardom. Greene, a member of the Oneida tribe, understood the significance but felt no obligation to follow the script Hollywood had written for him. He accepted the recognition, then stepped sideways.
After Dances with Wolves, the offers came quickly—and predictably. Wise Native mentor. Stoic elder. Supporting figure orbiting a white protagonist’s transformation. Greene declined them. He had no interest in becoming a symbol or a shortcut for someone else’s story, no matter how lucrative the opportunity. Stardom that required dilution was not stardom worth having.
Instead, Greene chose roles that allowed him to exist as a man rather than a metaphor. He appeared in films like Thunderheart (1992) and later The Green Mile (1999), but always selectively. He evaluated scripts for substance, not profile. Between screen roles, he returned to the stage, particularly in Canada, where storytelling traditions felt closer to the ground and closer to home.
In interviews, Greene has been consistent about his distance from Hollywood’s machinery. Fame, he has said, is not the same as respect—and control comes from saying no. That choice, repeated quietly over decades, shaped a career defined by steadiness rather than spectacle. His performances are rarely flashy. They arrive softly, precisely, altering a scene’s gravity with minimal effort.
There were consequences. By choosing independence during the industry’s most image-driven years, Greene limited his exposure. He did not become a brand or a headline. He avoided studio-curated narratives about representation. Yet he also avoided typecasting. Even when playing supporting roles, he remained uncontained by expectation—and that freedom mattered more than visibility.
His work appears in unexpected places. He voiced a character in Red Dead Redemption II (2018). He appeared on Longmire and in Canadian television dramas that never crossed fully into the American mainstream. The pattern is clear only in hindsight: he never stopped working, never chased relevance, and never reshaped himself to fit a more profitable outline.
That Oscar night marked a fork in the road. For many, it was the beginning of a marketing cycle. For Graham Greene, it was the end of one. He acknowledged the applause and returned to the work that sustained him, off the grid and on his own terms. He is still acting, still selective, still steady. Some legends chase the spotlight. Others choose a silence that never fades.

Willie Nelson and Neil Young being honored by Oglala, Ponca and Omaha Nations for their dedication to family farmers, and native families. The buffalo hide they have on was hand-painted by artist Steve Tamayo and volunteers called "Pipeline Fighters" with symbols to tell the story of people killing the black snake which in tribal prophecy is believed to be the Keystone XL pipeline, a threat to our land and water

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Be blessed , my friends ...

Congratulations to Lily Gladstone — the first Native Indigenous Blackfeet / Nimíipuu woman in the 81-year history of the Golden Globe Awards to win Best Actress, for her powerful role in Killers of the Flower Moon.
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“The villains are fairly obvious in ‘Flower Moon,’ but Scorsese asks audiences to take a wider look at systemic racism, historical injustice, and the corruptive influence of power and money—intriguingly tying together our past and present.”
— Brian Truitt
“Gladstone, in the rare Scorsese film that gives center stage to a female character, is the emotional core here, and it’s her face that stays etched in our memory.”
— Jocelyn Noveck
“This is for every little Rez kid, every little urban kid, every little Native kid out there who has a dream—and is seeing themselves represented in our stories, told by ourselves, in our own words.”
— Lily Gladstone
“We Are Still Here.”
Top: Mollie Kyle (Burkhart, Cobb) — Osage (1886–1937)
Bottom: Lily Gladstone — Blackfeet / Nez Perce
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Proud to be Native American.
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Sitting Bull was the first man to become chief of the entire Lakota Sioux nation.
Sitting Bull was born around 1831 into the Hunkpapa people, a Lakota Sioux tribe that roamed the Great Plains in what is now the Dakotas. He was initially called “Jumping Badger” by his family, but earned the boyhood nickname “Slow” for his quiet and deliberate demeanor. The future chief killed his first buffalo when he was just 10 years old. At 14, he joined a Hunkpapa raiding party and distinguished himself by knocking a Crow warrior from his horse with a tomahawk. In celebration of the boy’s bravery, his father relinquished his own name and transferred it to his son. From then on, Slow became known as Tatanka-Iyotanka, or “Sitting Bull.”
Sitting Bull was renowned for his skill in close quarters fighting and collected several red feathers representing wounds sustained in battle. As word of his exploits spread, his fellow warriors took to yelling, “Sitting Bull, I am he!” to intimidate their enemies during combat. The most stunning display of his courage came in 1872, when the Sioux clashed with the U.S. Army during a campaign to block construction of the Northern Pacific Railroad. As a symbol of his contempt for the soldiers, the middle-aged chief strolled out into the open and took a seat in front of their lines. Inviting several others to join him, he proceeded to have a long, leisurely smoke from his to***co pipe, all the while ignoring the hail of bullets whizzing by his head. Upon finishing his pipe, Siting Bull carefully cleaned it and then walked off, still seemingly oblivious to the gunfire around him. His nephew White Bull would later call the act of defiance “the bravest deed possible.

Congratulations - Lily Gladstone for being the first Native Indigenous Blackfeet/Nimíipuu Female in its eighty one year history, to win the Best Actress at the Golden Globe Awards for her role in "Killers of the Flower Moon!"
👉Get tee here: indigenoustee.com/dude-told-me
"The villains are fairly obvious in “Flower Moon,” but Scorsese asks audiences to take a wider look at systemic racism, historical injustice and the corruptive influence of power and money, intriguingly tying together our past and present." ~ Brian Truitt,
"Gladstone, in the rare Scorsese film that gives center stage to a female character, is the emotional core here, and it's her face that stays etched in our memory."
~ Jocelyn Noveck
“This is for every little Rez kid, every little urban kid, every little Native kid out there who has a dream and is seeing themselves represented in our stories told by ourselves, in our own words..." ~ Lily Gladstone
"We Are Still Here!"
Top : Mollie Kyle (Burkhart, Cobb) Osage, (1886-1937)
Bottom: Lily Gladstone, (Blackfeet-Nez Perce
Thank you for reading and liking the article
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Proud to be a Native American.
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friends we must first of all say, we are 👉 for you this week of Thanksgiving and always! Your interest and encouragement on the Mountain Carving progress is sincerely appreciated!
We are also👉 thankful for the work we are able to do each day and the fact that new equipment and technology has enabled us to improve upon our rock removal efficiency. The lift capabilities of the tower crane is resulting in a steady increase of tonnage removed when compared to previous numbers. In addition, the larger space of the new Mountain shop combined with the tower crane's reach abilities make it possible to fabricate and place work platforms like the one you see in this photo. Without the tower crane it would be extremely difficult, if not impossible, to place platforms in these areas. We could go on and on - there is so much to be👉 thankful for!

𝐂𝐡𝐢𝐞𝐟 𝐃𝐚𝐧 𝐆𝐞𝐨𝐫𝐠𝐞, whose real name is Geswanouth Slahoot, was a Canadian actor, poet, and writer of Indigenous descent.
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He was born on July 24, 1899, belonging to the Tsleil-Waututh (Salish) tribe, in a settlement near North Vancouver, British Columbia, Canada. He became widely known for his acting career, especially in films portraying Indigenous characters.
Chief Dan George gained further prominence after his role in the classic film "Little Big Man" (1970), where he portrayed a wise, philosophical elder named Old Lodge Skins. This role earned him an Academy Award nomination for Best Supporting Actor, making him the first Canadian Indigenous person to receive such a nomination.
In addition to his acting career, Chief Dan George was renowned for his writing and poetry, expressing his love and reverence for Indigenous culture. His cultural contributions extended to writing books and essays, helping to spread and preserve the cultural heritage of the Tsleil-Waututh and other Indigenous peoples.
Chief Dan George was also a prominent social activist, advocating for the honoring and protection of Indigenous rights. He worked tirelessly to raise awareness on issues such as Indigenous leadership, environmental conservation, and fair treatment of Indigenous peoples in society.
Beyond his artistic career and social activism, Chief Dan George was also known as a speaker and spiritual leader for the Indigenous community. He often participated in events, workshops, and discussions to share knowledge, inspire others, and encourage confidence and pride within his community.
Chief Dan George also contributed to promoting education and community development among Indigenous peoples. He supported various educational and cultural projects, providing opportunities for younger generations to learn and thrive. He frequently engaged in educational activities and programs to foster understanding and respect for Indigenous culture and history.
Get shirt here: works, literature, and community activities, continuing to influence and inspire future generations about the importance of cultural diversity and the significance of protecting and respecting the rights of Indigenous communities.
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