Alex Rudinger
Unboxing my new pedals...! Will keep my text description brief & let the video do the talking for this one (since it's literally a video of me talking π). Full clip on YouTube! And huge thanks to / for filming & editing this, & for generally being one of the sickest people ever π€π€πΌ!
04/30/2026
I'm very stoked to announce that I am officially endorsing pedals! Awhile back I had the opportunity to use a pair, & playing them felt so effortless. They combine all of the things I look for in a pedal -- the weight / balance, the speed / precision -- all achieved through some truly incredible machining. I mean, ya'll know me -- I'm a gear nerd, & I've used a lot of different pedals over the years. The CK's really do stand out as the most robust & precise pedals I've ever played. One of the coolest things about the company is that 100% of the components are machined in-house, on their own CNC machines (which is truly SO sick!).
It's also worth mentioning that they're truly built like freaking TANKS! Now that I'm touring and gigging regularly again, durability is hugely important. I've had zero issues; No springs or parts breaking. Even the hoop clamp is the strongest & most solid I've ever used -- it connects to the kick & that thing isn't goin' ANY where.
All this is to say: At this stage in my career, all I want is to play what feels best to me, & CK is it. Pair that with the fact that they hold up to the highest durability standards imaginable, & it's a no-brainer.
Oh &, on the aesthetic front, look at those CNC engraved logos π. SO SICK!!! I went with the classic silver pedals w/ black accents π€€. Genuinely stoked to be using these pedals -- thank you !
If you've ever considered trying these pedals, I highly recommend it. You won't regret it! π€πΌπ€πΌπ₯π€
Lastly, big love & shoutout to the sickest of humans, , for the quality photos! They turned out great !! πΈπ€π€πΌ
Guys. Look at my arm. I am SO STOKED on it! It was done by my incredibly talented friend π€πΌπ€π€πΌ!!! While I'm on the topic of friends, I'm gonna rant for a minute (shocker, I know... π). But as you may recall, I moved to Florida at the end of December. In all honesty, it's a pretty huge change for me! While I was (& am!) excited about it, I've also lived in Maryland my whole life (born & raised!) & my entire extended family is there. So it was a bit scary to up & move, ya know? But one thing that has made it easier are the incredible friendships I already have here -- in addition to the band (whom I love, & I've gotten to know their families now as well, who are all truly lovely!), I also made some other friends that I love, & am so thankful for. This especially includes , & her wife , who have truly been amazing friends as I navigate living in a whole new area. I also absolutely love Noeko's style of tattooing, & I had wanted to get more done, so it was a no brainer (can't wait to get more at some point! Lol!)!!!! But also, for real ya'll: Having good friends who are genuinely amazing people makes life way sicker, especially when you're going through a period of transition. Very thankful for Noeko & Maria (love ya'll π€), & am truly SO STOKED on the incredible work she did on my arm. Ya'll should all follow her. She's SICK!!!! Alrighty ya'll, that's the WHOLE story !!! π€πΌπ€π€πΌπ€πΌπ€π«ΆπΌ
Here's a quick clip of the very end of Bury Me, going into Trepidation π€πΌπ€πΌπ₯! Wanted to post this for some of the people that were curious about the screen I've used throughout this tour. As you can see, it's initially black - Bury Me was one of the first ones that I learned, so I had internalized it fully prior to the tour starting. But after the song finishes, I look over at Derrick (drum tech/playback), & give him a cue to start the next section. When Trepidation starts, the screen comes on with my notation for that song - it was one of the last one's I started learning before tour, so I still definitely needed it when tour started. So it comes on for some, & stays off for others.
We're nearing the end now, & at this point there's only a couple parts that I really need the notation. I've opted to leave it up for this whole run, though - more as a precaution. My process at home would be.... 1) Work on something with notation until it's all sick & I think I have it internalized, then 2) take the notation away & try rehearsing it some more, followed by 3) inevitably messing something up, so I pull out the notation again for a quick glance, & think to myself: "Oh duh, how'd I forget that", then 4) do it again, repeating steps 3 & 4 until it's ALL SICK! π€£π€πΌ.
But in a live setting, you can't really mess up & take a moment to stop & check something π. Sure, I could probably wing it on certain details & fills, or -- just leave the screen up for now. A comfort / safety measure, of sorts. That said: This will definitely be the only time I ever run a notation monitor live. It's been interesting - fun, in a way. But kinda weird, too. I'm definitely stoked to get these songs dialed in even SICKER without it after the tour, & then learn a WHOLE BUNCH of others (we have a "Rudi's Trivium Homework" list π€£), annnnd, continue working on NEW material, too! It's gonna be a busy (& sick!) time!
And shoutout to sick-dude/FOH extraordinaire πΆ! The audio here is a bus he setup that sends a feed straight to the microphone input on my camera (with the drums turned up - this isn't the same as the FOH mix). But it's SICK & so is he! π€πΌπ₯π€πΌ
Sometimes I draw the letter T on drumheads. T is for "tight" (...& Trivium) ππ€πΌπ€πΌπ₯!
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