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03/11/2026

W I D E   W E D N E S D A Y S

"Yes, everything is in 18.5. Practically everything."
— Orson Welles, Cahiers du Cinéma, 1958

Cinematographer Russell Metty, ASC, shot nearly all of Touch of Evil on a single lens: the Angénieux 18.5mm Type R2.

Introduced in 1951, single-layer coated, and pairs perfectly with our B&L Baltars. ZERØ OPTIK ( ) gave it a modern rehousing without touching its soul: precise mechanics, compact body, ready for handheld or gimbal work.

T2.4 · 95mm front · Super 35 · Close focus 8" · Covers Alexa Mini Open Gate

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