Quattracenta

Big thanks to for so amazingly capturing this moment from our set at Ottobar on March 1st for Transmission Fest, honoring our friend Ann Everton.

The waltzing dancers behind us were from a Darsombra video that Ann made for their song, Nightgarden. We didn’t know what was playing behind us, but afterwards Brian told us that at the time this video was showing, we were playing a song in 3/4 time, in a tempo that synced up to the waltzing dancers. What a magical moment, in a truly magical weekend.

Thanks again to Brian, Natasha, The Ottobar, all the other incredible bands, and everyone who came out. What a beautiful community we have here. We are so lucky to be a part of it 🖤

Big news, friends. We are thrilled to announce that we will finally be releasing our new record, III, this spring. Test pressings are in and sounding great. Big thanks to J Robbins for engineering and Sarah Register for mastering.

As we all know, the weight of the world has been increasingly heavy. While it has made it particularly hard to push forward and get this thing out, we are so grateful that we can finally fully bring it to life and are excited to share it with you all.

More details on official release date and pre-orders coming soon.

Sending love, comfort and safety to everyone right now 🖤

Today and tomorrow! 10/24-10/25

Friday 7p, DC at Rhizome, All Ages

Saturday 9p, Baltimore at Holy Frijoles

Martin Bisi:
An original No Wave and Post-Punk producer from New York City who has been part of its musical history for the past four decades.
Bisi made landmark recordings by Brian Eno (On Land), Sonic Youth, Swans, Unsane, Lydia Lunch, John Zorn, Africa Bambaataa, JG Thirlwell/Foetus, Cop Shoot Cop, Herbie Hancock’s “Rockit”, Helmet, Live Skull, White Hills, Dresden Dolls and countless others

Rip Room:
Once described as “dance music for people who don’t like to dance,” Rip Room prefers the humble designation “dance music for people who like to dance … but are also bummed out”.
This three-piece from San Francisco play high-energy art punk with a math-y, prog edge — propulsive rhythms and piercing lyrics, but with a sense of buoyancy — wolves in sheep’s clothing.
The band released their first full length LP with Spartan Records and is currently working on their next record.

Artwork by Sarah McKinney