Iowa State Daily

“Backrooms” ditches the liminal horror of the YouTube series in favor of a generic monster movie

Review | “Backrooms” Reviewing “Backrooms” is, and always was going to be, a battle between expectations and reality. As a fan of Kane Parsons’ zero-budget YouTube series and liminal horror in general (projects such as “Skinamarink,” Jessica Hausner’s “Hotel” and the more niche “Liminal Land”), the p...