Cikada

Hvorfor må vi rope sånn? ⋆ Kontekst Når det viktigste formidlingsleddet uteblir, fratas mennesker over hele landet muligheten for å ta del i mangfoldet av norsk musikkliv, skriver aktørene i Samt.

Children's Games Composer: Aleksandra Gryka

She hears play as quiet resistance, as connection. Her music lingers where body, environment and imagination blur.

Her music is strongly influenced by natural and theoretical sciences, especially quantum physics. She is also inspired by literature, including science-fiction. Since 2005 she has been writing music for theatres in Warsaw, Wrocław, Toruń, Częstochowa, Koszalin, Szczecin, Zielona Góra, Łódź, Olsztyn and Kraków. In 2012 she won a prize at the 12th Festival of Contemporary Dramatic Art "Rzeczywistość Przedstawiona" ("Constructed Reality") in Zabrze for her music for theatrical production Trash Story directed by Marcin Liber.

Come and listen to Aleksandra's response to Francis Alÿs' films at Ultima Festival on September 12th and 14th at Astrup Fearnley.

Children's Games komponist: Kim Myhr

Han ser barneleker som handlinger som krever full oppmerksomhet – ikke lette distraksjoner, men intense og oppslukende øyeblikk.

Som komponist har han blant annet laget musikk for Australian Art Orchestra, den kanadiske strykekvartetten Quatuor Bozzini, Kitchen Orchestra og Trondheim Jazz Orchestra fra Norge. Hans siste plate Vesper med Australian Art Orchestra ble nominert til Spellemann i 2020 i kategorien samtid.

Kom og se hans svar til Francis Alÿs' filmer 12. og 14. September hos Ultima Oslo Contemporary Music Festival hos Astrup Fearnley.



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