Gerrit Rietveld Academie

Gerrit Rietveld Academie

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Photos from Gerrit Rietveld Academie's post 03/07/2026

RIETVELD REVIEW(ED)

Rietveld Review(ed) is part of the public programme of the Rietveld Academieโ€™s Graduation Show. We are happy to now present the sixth edition.

An independent external committee was asked to reflect on the 2026 Graduation Show as a whole and to identify current tendencies and themes within the exhibition. The committee was also asked to consider the presentations of the various departments, selecting a number of projects by graduates that exemplify their observations. A broad range of topics was discussed in the meetings, and the Rietveld Academie has included a selection of these reflections and observations in a reflection report.

This yearโ€™s independent external committee, consisted of Abdo Zin Eldin, Amy Suo Wu and Maia Kenney.

๐Ÿ‘€ The report is available online via the link in bio or you can grab your free printed copy of the report at the entrances of the three buildings.

Photos from Gerrit Rietveld Academie's post 27/06/2026

MEET THE GRADUATES

The Rietveld Academie Graduation Show 2026 (1-5 July) is approaching! We would like to introduce you to some of the graduates.

Refia DermancฤฑoฤŸlu - - Image & Language

๐Ÿญ. ๐—ช๐—ต๐—ฎ๐˜ ๐—ฎ๐—ฟ๐—ฒ ๐˜†๐—ผ๐˜‚ ๐˜„๐—ผ๐—ฟ๐—ธ๐—ถ๐—ป๐—ด ๐—ผ๐—ป?
Iโ€™ve been working on my film Var ama Yok. Itโ€™s a speculative film made at Burj Al Babas in Mudurnu, Turkey. Anย unfinished luxury development of 732 identical castles, now prohibited to enter. Absurdly placed next to a traditional Turkish town, I couldnโ€™t stop thinking about what this place could become. I travelled there and staged a fictional opening ceremony and asked locals what they would do with it if it were theirs. The film holds the tension between imagination and reality, between ambition and failure.

๐Ÿฎ. ๐—›๐—ผ๐˜„ ๐—ฑ๐—ถ๐—ฑ ๐˜๐—ต๐—ฒ ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ(๐˜€) ๐—ฐ๐—ผ๐—ป๐˜๐—ฟ๐—ถ๐—ฏ๐˜‚๐˜๐—ฒ ๐˜๐—ผ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ฝ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜?
The combination of AVS, editing and sound studios for the film. For the installation, the metal workshop played a big role. With all the people that cares for creating something.ย 

๐Ÿฏ. ๐—ช๐—ต๐—ฎ๐˜ ๐—ฑ๐—ผ ๐˜†๐—ผ๐˜‚ ๐—ต๐—ผ๐—ฝ๐—ฒ ๐˜ƒ๐—ถ๐˜€๐—ถ๐˜๐—ผ๐—ฟ๐˜€ ๐˜„๐—ถ๐—น๐—น ๐˜๐—ฎ๐—ธ๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐˜๐—ต๐—ฒ๐—บ ๐—ณ๐—ฟ๐—ผ๐—บ ๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ป๐—ด ๐˜†๐—ผ๐˜‚๐—ฟ ๐˜„๐—ผ๐—ฟ๐—ธ?
I hope visitors feel that believing in something โ€˜unrealisticโ€™ isnโ€™t about the dream becoming real, itโ€™s about the journey that belief creates and who gets to decide what a failed dream becomes next.

๐Ÿฐ. ๐—ช๐—ต๐—ฒ๐—ฟ๐—ฒ ๐—ฐ๐—ฎ๐—ป ๐˜„๐—ฒ ๐—ณ๐—ถ๐—ป๐—ฑ ๐˜†๐—ผ๐˜‚๐—ฟ ๐˜„๐—ผ๐—ฟ๐—ธ ๐—ฑ๐˜‚๐—ฟ๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—š๐—ฟ๐—ฎ๐—ฑ๐˜‚๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฆ๐—ต๐—ผ๐˜„?
You can find my work in FedLev 101. It will be screening inside a circular black curtain. The film is 25 minutes long and will be on loop.

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