Nosbaum Reding

Last Days to Visit : Peter Zimmermann – Invisible

Until Saturday, 13 June 2026

Nosbaum Reding Luxembourg
4, Rue Wiltheim
2733 Luxembourg

Eric Mangen - Quiberville (Mémoires de paysages)
On show until 18.07.2026

Exhibition view :
https://www.nosbaumreding.com/en/artists/exhibitiondetails/16598/eric-mangen-quiberville-memoires-de-paysages?iae=394

Nosbaum Reding Brussels
60, Rue de la Concorde
1050 Bruxelles

« Mangen recreated from memory the shifting tones of the sky, the steep ridges of a rock face, the curve of a green hill and the crest of waves crashing against the rocks, which are highlighted with white chalk - white chalk derived directly from the pebbles gathered on the shore. The fact that the horizon line is inverted hardly matters. After all, the aim is to reveal the impressions left by landscape and the light, even if it means turning the painting on its head. These works, created without fixed rules, prioritize chromatic dynamics and the expressiveness of forms. Above all, through his sensitive brushwork, Mangen favors a simplicity of expression that allows him to merge with his surroundings. »
Excerpt from a text by Raya Lindberg, 2026.

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Eric Mangen
FRAGILE, 2024
Spraycan paint, Acrylic & Oilstick on Paper

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Credit: © Eric Mangen / Nosbaum Reding

Now on view: Invisible by Peter Zimmermann

Nosbaum Reding Luxembourg
6 May – 13 June 2026

For some thirty years, Peter Zimmermann has developed unique painting techniques that combine epoxy resin and oil paint. His abstract compositions—often serial in nature and modeled after digital prints—make him one of the leading figures in contemporary German painting. The transfer of a motif selected from his own photographic archive is achieved through a multi-layered process, in which each color is applied successively. The vibrant colors of his canvases mimic the smooth, dazzling surfaces of digital interfaces. While Zimmermann plays with the pictorial codes of Pop Art and the seductive iconography of the media, he adds the demanding austerity of abstraction. His relationship to forms is literally plastic, expanded and stretched; the luminosity of the surface thus creates a tension between the surface’s brilliance and the painting’s lack of depth. The texture of his canvases, both tactile and melting, accentuated by pictorial blur, truly immerses the viewer.



Exhibition views : @ Louis Weber

Now on view: Hiatus by Nuno Lorena

Nosbaum Reding Projects
6 May – 13 June 2026

In Hiatus, Artist Nuno Lorena constructs a series of still life paintings that evade stillness. What initially appears composed and contained begins, on closer attention, to loosen—objects drift, edges dissolve, time stretches. These works function less as fixed arrangements than, in the artist’s words, “fragments of narrative,” suspended between recollections.
The still life, historically associated with observation and studious control, is here reconfigured as a vessel for personal memory. Lorena approaches it as a way of holding onto what cannot be fully grasped: the scent of the flower in his grandma’s house, a fleeting view peeking out from their house’s window, residue of experience, and of “home” once it has been left behind.
Each composition becomes autobiographical, though never explicitly so, carrying proximity to lived detail as an accumulation of signals. (excerpt from a text by Zilai Zhu)

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Exhibition views : @ Louis Weber