Plinth

Plinth

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04/07/2026

Margate-based sculptor .watson Watson has constructed a hulking, life-sized galleon in the lower floor of gallery in Vauxhall.

Maren Hassinger’s installation Love anchors ’s new exhibition Nomenclature for the Time Being. The intervention takes place in the seldom-used top floor flat – a space that, much to my surprise, resembles an eclectic time capsule of the 1970s.

Photos from Plinth's post 16/06/2026

"First envisaged in 1968 but never realised until now, Air at features Air Package on a Ceiling – monumental in scale, yet inherently ephemeral, the installation conceived by Christo and Jeanne-Claude nearly sixty years ago hangs just above the heads of gallery visitors.

While the sculpture invites its audience to move beneath and around it, it also pushes them to ask what they’re looking at in the first place – after all, the air named in the work’s title is invisible, only rendered legible by its polyethylene and rope constraints.
Presented alongside archival materials including preparatory drawings, Air Package on a Ceiling is accompanied in the space’s second gallery by Wrapped Automobile—Volvo, Model PV-544, 1981. With one work making visible what can’t be seen and the other hiding it, Air truly has everything covered. " — Emily Watkins

On view until 21 August 2026

Photos from Plinth's post 09/06/2026

"The second collaborative exhibition between Sid Motion Gallery and artist Rose Davey, This and That presents artworks that become legible only in the presence of something else.

Activated by a seated person, the collaborative piece around which the show orbits – a table made by Gary Woodley (), painted by Davey and accompanied with stools by – exemplifies the proposition at its core: things exist in relation to one another, beyond the gallery as well as within.

Extending that logic by coaxing meaning from the contrasts and spaces between forms, the table is surrounded by wall works from , and . Meanwhile, paintings by Davey illustrate the intersecting impact of colours upon each other, just as a diptych by Alan Charlton investigates painted canvas by presenting it alongside the unworked material." — Emily Watkins

Read more on the 6 Must-See Shows During London Gallery Weekend via the link in our bio

This and That co-curated by is on view at until 10 July 2026

Photos from Plinth's post 06/06/2026

"Orbs and teardrops, globules and cells mid-splitting. In Never Ends, Gabriele Beveridge’s practice splices together organic forms with industrial materials; hardness with softness, transparency with obscurity, monumentalising the momentary." — Emily Watkins

Read more on the 6 Must-See Shows During London Gallery Weekend via the link in our bio

Never Ends on view until 27th June 2026

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