Flore

London in 3 weeks!

First POLAAR party ever in London, in my favorite place: Ormside Projects.
I'll play b2b with Ehua and have the pleasure to share the stage with Peder Mannerfelt, Soreab (LIVE) and Basic Chanel.

more infos: https://fr.ra.co/events/2391955

Time moves too fast, and I somehow missed the moment to properly talk about one of my latest releases — which also happens to be a beautiful story.

Last year, I welcomed into my live performance course. The connection was instant: lots of laughter, and a shared love for gear nerdery — her with a large modular rack, me with Ableton Live (obviously). I then discovered the incredible magnetism of her music. Quinquis is from Brittany, sings in Breton, and builds her compositions using a suitcase modular system and an array of guitar pedals. Her music is truly singular — it feels like a 2025 version of Portishead, without the hip-hop DNA but driven by analog synthesis. It’s deeply beautiful.

What struck me most was how precise and fully formed her artistic vision already was (despite what she initially thought). There was actually very little to “fix” or improve in her setup during the course — although I hope I still managed to pass on a couple of useful tips😅

A few months later, she asked me to remix one of the tracks from her album eor, released earlier that year on

Mute is Daniel Miller’s label — a true institution that launched artists who reshaped pop music: Depeche Mode, Yazoo, DAF, Nick Cave & The Bad Seeds, Erasure, and later Moby, Goldfrapp, Arca, and many more. Alongside XL, it represents, to me, one of the most inspiring artistic visions a label can have. I even own the book released a few years ago documenting the label’s different eras and its collaborations with artists, photographers, and filmmakers — absolutely fascinating, especially for someone like me who still deeply believes in the curatorial role a label can play.

So remixing Quinquis — and having the opportunity to release that remix on Mute — is both a real joy and a great honour.

This remix of “Aet On” took me quite some time. I was feeling a bit exhausted by club formats, and I struggled to find a way to honour the original, which I consider pure beauty. In the end, I chose to take a different path: focusing on space, breathing, something organic and turbulent — inspired by the way Quinquis described her beautiful island of Ouessant.

Video Sam Weihl 🙏

Life is good ❤️
These last 2 month have been very high on emotion with loads of beautiful moments on stage and catch up with friends.
I’d like to thank the team at .festival.lesucre for making a dream come true and for accepting the invite 🙏
I’d like to thank for having me ( much love to ) - it was my first gig in Milan and it was such a blast to play b2b with 🌹
Thanks to my dear Yannick Moreteau for continuing working with me. It has been now more than 10 years since we started working together and I love every parts of it. These shows in Germany (our immersive live performance « Sensitive Abstraction » played at planétarium in Halle and Bochum) were challenging in many levels but everything was alright cos I knew you were on my side ❤️
And last but not least - thanks for inviting me at your night at - the night was so good that I don’t have any pics of it 😂
Fortunately shoot the moment and it was so nice to catch up with him and for the first time 😍

The only downside of this end of the year is that we couldn’t make this party happen in Vannes, I was so excited to catch up with .00
Let’s make it happen next year ✊✨🫰

It is now time to chill a bit, spend some time with my lover and family and make some music. I missed it 🙃

Speak soon buddies ❤️

Open letter to Sonar
Thanks .movement and all the artists involved.