RONNY MORRIS

RONNY MORRIS

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31/03/2026

I’m currently stuck in Spain, unable to finish my album.

Not because of lack of inspiration —
but because a one-of-a-kind guitar has been sitting lost inside the system of Parcelforce Worldwide for over two months.

This is not just a package.
This is the sound of the record.

We had recording sessions lined up.
We are scheduled to take this project to Abbey Road Studios with Miles Showell.
We are preparing for a tour.

And everything is now at risk of delay.

Let me say this clearly:
Express Music and Phil have done everything right from day one. Absolute pros. This is NOT on them.

But somewhere in a system that scans, tracks, and monitors every movement — this instrument has simply… stopped.

We’re being told to “wait” or “start a claim.”

That’s not a solution.

When professional equipment goes missing at this level, it doesn’t just affect a delivery —
it affects timelines, people, and real work.

So now I’m asking publicly:

Parcelforce Worldwide —
Where is the guitar?
And who is actively working on finding it?

Because we’re ready to move forward.
The question is whether you are.

Parcelforce Worldwide — it’s time to step up.

20/03/2026

Beautiful Fallas, Valencià. The amazing tradition unfolded.

19/03/2026

Right now, things are moving beautifully here at Casa Molinos Studio.

I’m deep into mixing the new album, and this time around I’ve gone all-in on a more analog-inspired workflow — building everything around tone, depth and space rather than over-processing.

Most of the work is happening through parallel chains: tape stages, tube saturation, and gentle EQ shaping instead of heavy corrective moves. A lot of the magic comes from how things interact — Studer into ATR, Neve into tube stages — letting the sound “settle” rather than forcing it.

I’m also spending a lot of time creating space the old-school way: layered delays, plates, non-linear reverbs and subtle modulation, all blended in parallel so you feel the environment more than you hear it.

It’s a slower process, but a much more musical one.

The goal isn’t perfection — it’s emotion, warmth and a sense that the music is alive and breathing.

More to come soon.

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Valencia
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