Sarah Main Studio

Sarah Main Studio

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Photos from Sarah Main Studio's post 27/04/2026

The Golden Witness marked a turning point in my practice this summer. Working with Mondrian and Hyde in Ibiza created the foundation for what has become a wonderful creative partnership with these iconic hotel brands. There's something about creating work in spaces where people gather, celebrate, and connect that pushes the art in new directions. I'm excited to return on May 7th for the Hyde festival to begin my 2026 chapter. These collaborations with hospitality spaces continue to shape how I think about immersive art in social environments.

15/02/2026

‘Go Within’
My entry for the Google Gemini Art Remix Competition in collaboration with and , Amsterdam.

This is a story for anyone who has ever felt like they didn’t fit in.

Inspired by Karel Appel’s ‘The Square Man’ (1951) from the collection.

The Process:
Nano Banana: I realised the 3D furry protagonist and created every beginning and end frame for each scene, translating Appel’s raw impasto style into a tactile, needle-felted world.

Veo 3.1: Brought those frames to life, capturing the charm of stop-motion animation.

Adobe Photoshop: Used for light editing and resizing of individual frames, and for assembling the final sequence on the timeline.

Google Gemini: Acted as my AI collaborator, providing feedback on narrative flow and camera movement to refine the final output.

I’m not quite finished, but I had to stop to get my entry in before the deadline. I’ve really enjoyed the experience of pushing these tools to see how they can serve a traditional art narrative.

21/01/2026

Laying the groundwork for the coming season.

23/12/2025

Most booths asked people to look.
Ours gave them pencils.

SCOPE Art Show, Miami saw Bellwether Arts launch their Collectible AR card series, and it was anything but quiet.

People stopped.
They sat down.
They coloured.

Not to watch art, but to make it.

You’re never too old to colour.
The focus around that table proved it.

Then the moment hit.
A phone lifted.
And what they’d just drawn came back at them in AR.

That look, the split second of surprise, never gets old.

Huge thanks to the Bellwether Arts team for putting together the most active booth at SCOPE and inviting me to be one of their inaugural artists.

Photos from Sarah Main Studio's post 23/11/2025

This is the second painting in the diptych I shared earlier.
She looks to the side, across to the first piece, and that small shift made this one harder to create.

Side-facing figures test balance.
One colour too heavy, one angle slightly off, and the whole composition feels… wrong.
Not consciously, but in the body, the same way a DJ feels when a mix falls out of key.

So I stayed with it.
Adjusted.
Listened for harmony.

Now the two paintings hold a quiet conversation:
one looks right, the other looks out at you, and your gaze completes the circle.
Movement. Flow. Connection.

Sometimes the process is just knowing when something feels off,
and staying with it until it doesn’t.

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Ibiza