Paperlux Studio

Max didn’t open a laptop first. He opened a drawer.
Specifically, the ones in our bindery filled with lead type — letters cast in metal, carried forward from another era of making things by hand. He started moving pieces around, finding shapes, building something physical before anything digital existed.
That sequence was a deliberate choice. Eric’s whole world is about understanding a material before you ask it to become something. It felt right to work the same way.

The thing we were most insistent on: nothing decorative for its own sake.
The letterforms of the TORTUS wordmark don’t just carry a name — they become a pattern, a texture, a system. Cut from rubber, pressed into paper, repeated across surfaces. The same shapes, doing more than one job.
It’s a small decision that changes everything. You stop looking at a logo and start seeing a language.

Finally - we‘ve managed to shoot a Branding Project which has been around for a little while now already.

What could be better than being asked by your longtime production partner to redesign their Corporate Identity? And knowing that this company has a heritage which dates back even longer than that of one of our Parisian clients. (Hint. Hint)

Bespoke wordmark. Bespoke font. Bespoke lettering.
Pretty great result, no?