KLIMA

Mini Klima #1
Retour sur "Une exploration exubérante de possibilités", de lae philosophe Karen River Barad, traduit par Emma Bigé et Mabeuko Oberty avec en écho une série de peintures et dessins de l'artiste
Commande par DM. La version originale en anglais est disponible dans le numéro 6 Mutabilities disponible sur www.klima-magazine.com

Graphisme

SAVE THE DATE ✨ 12.06.24

We’re super happy to let you know that we will be launching our new issue Mutabilities at .social.club this Wednesday in Basel!

12.06.2024  7 pm
Basel Social Club

with : Karen Barad, Léa Bouton , Patrick Chamoiseau, Emma Bigé, Salomé Burstein , David Douard  douard, rita elhajj, Kim Farkas , Gözde Filinta .elektrik, Eva S. Hayward, Tishan Hsu, Bhanu Kapil, Veit Laurent Kurz, , Yein Lee , Lionel Manga, P. staff , Diamond Stingily , Sabrina Röthlisberger Belkacem , The School of Mutants , Sarah Shin , Olivier Zeitoun  , Joanna Zylinska .zylinska.

Thank you .social.club for the invitation. 🌝

Visual: &

Our new issue Mutabilities is out!
You can click the link in our bio to get your copy. 🩵
Stay tuned for more info on the Parisian launch.

Design by Espace Ness: Julie Hénault , , with Maya Bellemin .bellemin & Minne Piot 

Our next issue features artist Léa Bouton , who presents a visual tale of anticipation in a series of drawings in pencil, felt-tip pen, bic, Marker and nail varnish. Creatures from a parallel world perform funerary rites in the midst of liquid architecture. Don’t miss it! ✨

⚠️ Announcement ⚠️

We are super happy to let you know that our sixth issue is in the making. With a new team and a brand new visual identity, we can’t wait to share it with you. Launches are planned for March. Stay tuned!
Klima #6, Mutabilities, focuses on the transformation, it features a series of contributions from persons who place radical forms of mutation at the heart of their practice.

Here, curator and critic Olivier Zeitoun examines Tishan Hsu’s early work, which emerged in the New York art scene in the early 1980s. Exploring psychic and corporeal plasticity, his early works are rooted in the artist’s first contacts with digital screens, grasped in their immersive dimension and their physical effects on the body.

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This issue is produced at the same time as the genocide of the Palestinian people, which is still ongoing. Although the issue does not directly echo it, we want to affirm our unwavering solidarity with the Palestinian people. 🇵🇸🇵🇸🇵🇸

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Images :
Tishan Hsu, data-screen-skin.blue, 2023
Tishan Hsu, Outer Banks of Memory, 1984
Tishan Hsu, Phone-Breath-Bed 2, 2022

Come discover ’s publication during our launch at . We will present Liquid Futures, on Saturday 8th of October from 6PM. At the same of the opening of WET EXCESS, with new works by Ceylan Öztrük  and Amina Ross . Come say hi !

[1] Asma, “Romance, bath, rose, champagne”, 2021
[2] exhibition poster Dorota Gawęda and Eglė Kulbokaitė  🙃