The Post Image Cluster

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Preville Big Band
Preville Big Band
214 Corot

04/14/2023

Next week! ✨

Post Image is announcing a book launch for “Driving in Palestine” by Rehab Nazzal. This in-person event will be hosted on April 20th at 4PM at Concordia EV 11.725.

The event will include live Arabic music, refreshments & copies of the book for sale✨

Driving in Palestine is a research-creation project by acclaimed artist Rehab Nazzal, who explores the visible indices of the politics of mobility that she encountered firsthand while traversing the occupied West Bank between 2010 and 2020. This photography book consists of 160 black and white photographs, hand-drawn maps and critical essays in Arabic and English by Palestinian and Canadian scholars and artists.

The photographs were all captured from moving vehicles on the roads of the West Bank. They focus on Israel’s architecture of movement restrictions and surveillance structures that proliferate in the West Bank, including the Apartheid Wall, segregation walls surrounding illegal colonies, gates, fences, watchtowers, roadblocks and military checkpoints among other obstacles to freedom of movement.

Rehab Nazzal is a Palestinian-born multidisciplinary artist based in Toronto. Her work deals with the effects of settler-colonial violence on the bodies and minds of colonized peoples, on the land and on other non-human life. Nazzal’s video, photography and sound works have been exhibited in solo and group exhibitions across Canada and internationally. Dr. Nazzal was an assistant professor at Dar Al-Kalima University in Bethlehem and has taught at Simon Fraser University, Western University and Ottawa School of Art. She is the recipient of several awards, including the Social Justice Award from Toronto Metropolitan University and the Edmund and Isobel Ryan Visual Arts Award in Photography from the University of Ottawa.

Photos from The Post Image Cluster's post 03/10/2023

Coming up! ✨
Post Image is pleased to welcome artist Michèle Pearson Clarke for an artist talk on March 14th at 4PM: in-person at 4thSpace (1400 Maisonneuve Blvd W, Montreal, Quebec H3G 1M8) or via Zoom.

To attend onlive via Zoom please register on our website (link in bio). Registration for in-person attendance is not required.

Moving the Landscape to Find Ground, a cycle of artist talks and artist residencies which takes place until May 2023. This series is built from a shared ambition to break open lens-based practices via the interrogation of the colonial prism through which photography exists. We are inviting conversation among all communities impacted by the colonial gaze.

Michèle Pearson Clarke is an artist, writer, and educator who works in photography, film, video, and installation. Using archival, performance and process-oriented strategies, her work situates grief as a site of possibility for social engagement and political connection. Born in Trinidad and based in Toronto, her work has been included in exhibitions and screenings at the Musée des beaux-arts de Montréal, Art Gallery of Nova Scotia, Royal Ontario Museum, Lagos Photo Festival, Museum of Contemporary Art Chicago, Maryland Institute College of Art, ltd los angeles, Ryerson Image Centre, and Gallery 44 Centre for Contemporary Photography. Most recently, Clarke was awarded the Toronto Friends of the Visual Arts 2019 Finalist Artist Prize, and she served as the second Photo Laureate for the City of Toronto (2019-2022). Clarke holds a Master of Social Work from the University of Toronto, and in 2015 she received her Master of Fine Arts in Documentary Media from Toronto Metropolitan University (formerly Ryerson), where she is an Assistant Professor in Photography in the School of Image Arts.

Our programming is in collaboration with the Indigenous Futures Research Centre, the Feminist Media Studio and the Black Perspectives Office. This project is generously funded by the Social Sciences and Humanities Research Council, Milieux Institute for Arts and Culture and Concordia University’s OVPRGS.

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1) Glitter Stache, 2021
2) Yaniya, August 3, 2018, 2018

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