Tom and Nancy

“Jan 31, 2022, Rafah. For several weeks now, I’ve had very unusual abstract dreams. In the dream, I see myself with Tom in the desert, we see some shimmering over the next dune, but we cannot seem to find a clear view, no matter how much climb up.

Then at a certain point, although i don’t know how i know this, i know that it is alive and growing, and is still waiting to be born...

We know with a great sense of urgency that its birth is the most important thing”
—Nancy

Golden Embryo IV from “The Journeys of Tom and Nancy” (2024) 24” x 16” Acrylic, Posca, coffee and Sharpie on kraft paper.

"لقد استخدمنا الكتابة على الجدران ونظام الرسائل المشفرة العبقري الخاص بنانسي للرد على الطلبات، وفحص الأشخاص في العديد من الأحداث قبل السماح لهم بالانضمام. كنا بحاجة إلى التأكد من أن الأشخاص أولاً لم يكشفوا عن موقع الحدث من خلال الذهاب جميعًا في نفس الوقت. للذهاب إلى حفلة، كان عليك أن تكون جزءًا من الشبكة وتحصل على الرسائل المشفرة، بعد كتابات الصور المرسومة بألوان محددة. رقم 2، كنا بحاجة للتأكد من أن الناس يمكنهم الحفاظ على السر."

“we used graffiti and Nancy’s genius encrypted message system to respond to requests, vetting people over several events before letting them join. We needed to make sure that number one, people did not give away the location of the event by all going at the same time. To go a party, you had to be part of the network and get the encrypted messages, following graffiti of images painted in specific colors. Number 2, we needed to make sure people could keep a secret.”
—Tom

Graffiti from “The Journeys of Tom and Nancy” (2024) Will Eizlini 12” x 9” Acrylic, Posca, and Sharpie on kraft paper #توم ونانسي

We followed clues in dreams, we found a language and a mathematics of . Something that is not yet clear to us is happening. We've seen visions on the horizons of travels, always over the next shining hill or hell we see the

Golden Embryo by Will Eizlini (2024) 18" x 12" Acrylic, Posca and Sharpie on kraft paper.