Mad Sound Factory

Adding LFO2 to the trigger input introduces variation and instability into the rhythm.

A wind-up toy drummer recorded with a piezo contact mic.
The signal is amplified and sent into the Trigger Input.
Strong transients = reliable triggering.
With proper grounding, even a mechanical toy can drive the DROP.

LFO1 is internally connected to the divider and works as a clock.
It can also be bypassed to sync DROP with external analog gear.

A series of micro-tutorials for DROP.
Part 3: Playing DROP by patching cables.