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That response says something important about where South African audiences are right now, and about what Red Bull Symphonic has become in a very short time.

I’ve been closely involved with the Red Bull Symphonic creative team over the past two years and I’m thrilled to be returning in 2026 as Co-Director of the show. We’re deep in pre-production as we push 18 original arrangements over the line and oversee all music requirements/musicians/artists and choir. It has been one of the most rewarding live environments I’ve worked in - not because it is big, but because it is specific: the standard is high, the collaborations are well considered, and the audience reaction has been just amazing.

In 2026 we turn the page. After celebrating Amapiano, this edition pays homage to the genre that started it all: house music - South Africa's musical home. From Kwaito to Gqom - Amapiano to 3-Step, house has birthed every wave that's shaped our sound. This year, we celebrate Afro House and present its future. For the first time, two headliners share the Red Bull Symphonic stage - Sun-El Musician and Dlala Thukzin - both leaders, contributors, and architects of the next era of house.

They join forces this year with Maestro Chad Hendricks and a full Symphonic Orchestra in a landmark collaboration.

Chad is an exceptional musician, and I’m genuinely excited to see his leadership shape this edition.

I’m proud of what this platform has become, and I’m looking forward to seeing this year’s show on stage at Montecasino.

Red Bull