Wild Blackberry Studio
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Huntingdon Valley 19006
05/26/2026
The secret to ecstatic dance, according to Deborah Kat, is simple: when your eyes are closed, no one can see you.
That's the kind of permission she trades in. Deborah is a couples coach and host of the Better S*x Podcast, and our Vulture Chronicles conversation went to some genuinely good places. Creative edges. The 10 and 80 scale. What cats understand about flow that humans keep forgetting.
If you missed it, go read it now.
Link to full conversation on first comment! 👇
13 gets a weird little reputation.
A century or so of branding problems, apparently. But the “unlucky” thing is actually pretty new. Before that, 13 was tied to lunar cycles, transformation, and feminine creative power. Which honestly makes more sense to me anyway.
Because transformation has never felt particularly unlucky.
Uncomfortable sometimes? Sure. But necessary… almost always.
So naturally, 2026 arrives with 13 full moons, including a blue moon in May, right as I’m launching Lucky 13. And listen. I’m not building a business strategy exclusively around moon lore. I do still pay taxes and use Google Docs.
But still, I pay attention to timing like that.
This is also my 13th year leading Wild Blackberry Studio, which feels surreal to type out loud. Thirteen years of helping people translate the thing in their head into something another human can actually feel when they land on a website or pick up a pitch deck or hear them talk about their work.
And after all this time, the biggest thing I’ve learned is that good work deepens through relationships.
The strongest projects usually start with a conversation that turns into another conversation and eventually into years of shared context. You learn each other’s rhythms. The work gets clearer. Braver. More honest.
Some of you have been with me for a very long time. Some of you just got here and immediately felt familiar somehow. That part means everything to me.
Lucky 13 feels less like a launch and more like standing still long enough to notice what’s been built over time. Which, apparently, is my favorite kind of success. More soon.
04/28/2026
Structure should feel like support.
Because without it, the work has a way of leaning on you for everything. You’re the one remembering, deciding, and keeping things moving every time you come back to it. Even the small tasks carry more weight than they should, because nothing is really holding its place.
That kind of pressure builds quietly. You don’t always notice it right away, but it’s there—in how much you have to stay on top of, in how closely you have to hold everything together.
When structure is doing what it’s meant to do, that pressure starts to ease back. The work holds its shape a little more. Your attention isn’t pulled in as many directions. You can step away and come back without feeling like you’re starting over.
There’s more space to think. More room to move.
Where in your work are you still the one holding everything up?
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