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Salone del Mobile.Milano 2026.
Lingering in time.
A living choreography of design, art and architecture shaped the Minotti Pavilion, where the new forms of the 2026 Collection unfolded through immersive, evolving scenes. Past and present converged through layered spaces and unexpected viewpoints, dissolving the boundaries between interior and exterior.
Architectural project and interior design: Minotti Studio
Styling:
Courtesy Tornabuoni Arte:
Enrico Prampolini, "Animismo geometrico", 1952
Enrico Prampolini, "Composizione astratta", 1954
Emilio Scanavino, "Alfabeto senza fine", 1981 - Fondazione Scanavino
Dadamaino, "Volume", 1960
Paolo Scheggi, "Intersuperficie curva nera", 1965 - Associazione Paolo Scheggi
Arnaldo Pomodoro, "Rotante a fori e canali", 1967 - Fondazione Arnaldo Pomodoro
Courtesy Giacomo Benevelli Archivio:
Giacomo Benevelli, "Rapporti plastici come traslato puro", 1960
Giacomo Benevelli, "Fluido circolare", 2000
Courtesy Iginio Balderi Archivio:
Iginio Balderi, "Città ", 1983
Zeno Bertozzi, "Contatto II", 2022
.tagliaferri
06/18/2026
Memory and innovation, in the same room.
For Salone del Mobile.Milano 2026, Gallotti&Radice unveiled its "Total Living" proposal. A softer, warmer evolution of the brand's signature box architecture, defined by beige tones, satin aluminum boiserie, and accents of glossy leather in chocolate and dark brown.
Historic icons. The President desk and T35 Trio coffee tables held their ground beside new arrivals: the sculptural Half-Pipe armchair by Meda and Quincoces, born from a slow pour of recycled glass; the 1970s-inflected Choupette by StudioPepe; the low, enveloping Orma sofa; the Tratto suspension, a luminous cascade in nickel and hand-cut crystal.
A dedicated Social Heritage Room paid quiet tribute to the archive while three new textiles (Diario, Vellus, Aura) extended the conversation into surface itself.
A collection that doesn't choose between the past and the present. It composes them.
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