JDevinEmbroidery

Needle Painting
Needle painting is a technique of embroidery that uses carefully blended stitches to create the illusion of light, shadow, texture, and depth. It’s also known as silk shading, thread painting, and soft shading. Although these terms are often used interchangeably, there are subtle distinctions.
In traditional long and short stitch, as seen in stitch dictionaries, the first row is worked by alternating one long stitch and one short stitch across the element being filled. The rows that follow are worked at a consistent length. The staggered appearance is created by alternating the stitches below the first row. Each stitch begins at the bottom of the previous row’s stitch, producing a regular, interlocking arrangement similar to brick stitch.
Kensington stitch takes a more natural and organic approach. Instead of alternating between only two stitch lengths, every stitch is intentionally varied. Some stitches are long, some are short, some medium, and some fall somewhere in between. Their lengths are irregular. This eliminates visible rows and prevents the eye from detecting a pattern. The placement of each stitch is also important. After the first row, the needle is brought up through the previous row, splitting an existing stitch rather than emerging from its base. The entry point is also varied so that some stitches extend farther into the preceding row than others, with some stitches almost covering the previous stitch at times. This irregular overlap allows neighboring stitches and colors to interlock, creating smooth, gradual transitions without distinct boundaries. The result is individual stitches that visually merge into one another. Color changes become very subtle, producing soft gradients. When combined with careful observation of light, shadow, form, and stitch direction, Kensington stitch allows thread to convincingly recreate texture, volume, and realism. It is this ability to imitate the effects of painting that has made this technique one of the most admired forms of hand embroidery.

More work on the Santa Marta Sabrewing hummingbird. I ended up ripping the top row of feathers and redid them to be a bit smaller. I’ll share an update soon. But it’s coming along. Unfortunately I’m going to Montana for a month and won’t be able to bring it because it’s too large to travel with. So I’ll be starting a smaller project to work on while out there.
How’s it looking so far? Do the feathers look messed up enough?

Next piece for my endangered species collection. Santa Marta Saberwing hummingbird. The lose of it’s feathers represents the lose of these beautiful creatures.
Using a filament silk from DeVere Yarns. Size 6.

The whole piece will be revealed soon….

Snow Leopard, original design. Part of my endangered species collection.