Janina Edwards

War is peace. Freedom is slavery. Ignorance is strength.

Listen to the The Dystopia Triptych series in audio today. Ignorance is Strength is edited by John Joseph Adams, Hugh Howey, and Christie Yant. Performed by a full cast including myself, Paul Boehmer, Gabrielle de Cuir, Susan Hanfield, Justin Eyre, Kathe Mazur, Stefan Rudnicki, Mirron Willis, and Judy Young - listen today from Skyboat Media: https://geni.us/rl7AN

➡️ Description:
George Orwell once wrote of a world where abuse of power begins with an abuse of language and a bastardization of truth. Some of today's most exciting voices in speculative fiction explore the ramifications of those ideas in Ignorance Is Strength.

The Dystopia Triptych is a series of three anthologies of dystopian fiction. Ignorance Is Strength - before the dystopia - focuses on society during its descent into absurdity and madness. Burn the Ashes - during the dystopia - turns its attention to life during the strangest, most dire times. Or Else the Light - after the dystopia - concludes the saga with each author sharing their own vision of how we as a society might crawl back from the precipice of despair.

Ignorance Is Strength features all-new, never-before-published works by the following authors, in order of appearance: Carrie Vaughn, Tim Pratt, Rich Larson, Cadwell Turnbull, Karin Lowachee, Adam-Troy Castro, Caroline M. Yoachim, Hugh Howey, An Owomoyela, Seanan McGuire, Dominica Phetteplace, Alex Irvine, Tobias S. Buckell, Scott Sigler, Darcie Little Badger, Violet Allen, and Merc Fenn Wolfmoor.

Black Magic - What Black Leaders Learned from Trauma and Triumph by author Chad Sanders, an exploration of Black achievement in a white world based on honest, provocative, and moving interviews with Black leaders, scientists, artists, activists, and champions, is available now from .audio performed with Sydney Morton, , and : https://geni.us/UKblpAw

➡️ Description:
When Chad Sanders landed his first job in lily-white Silicon Valley, he quickly concluded that to be successful at work meant playing a certain social game. Each meeting was drenched in white slang and the privileged talk of international travel or folk concerts in San Francisco, which led Chad to believe he needed to emulate whiteness to be successful. So Chad changed. He changed his wardrobe, his behavior, his speech—everything that connected him with his Black identity.

And while he finally felt included, he felt awful. So he decided to give up the charade. He reverted to the methods he learned at the dinner table, or at the Black Baptist church where he’d been raised, or at the concrete basketball courts, barbershops, and summertime cookouts. And it paid off. Chad began to land more exciting projects. He earned the respect of his colleagues. Accounting for this turnaround, Chad believes, was something he calls Black Magic, namely resilience, creativity, and confidence forged in his experience navigating America as a Black man. Black Magic has emboldened his every step since, leading him to wonder: Was he alone in this discovery? Were there others who felt the same?

In “pulverizing, educational, and inspirational” (Shea Serrano, #1 New York Times bestselling author of Basketball (And Other Things)) essays, Chad dives into his formative experiences to see if they might offer the possibility of discovering or honing this skill. He tests his theory by interviewing Black leaders across industries to get their take on Black Magic. The result is a revelatory and essential book. Black Magic explores Black experiences in predominantly white environments and demonstrates the risks of self-betrayal and the value of being yourself.