Arrival Gallery

Some artworks don’t need a frame to find their audience.⁠
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For our upcoming Brighton exhibition, we have opened the final 3 digital spots for artists ready to let their work travel further.⁠
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Your artwork will be presented digitally during the exhibition, becoming part of an international space where new viewers can discover it.⁠
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Brighton, UK⁠
26th – 28th June 2026⁠
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For a limited time, these final digital spots are available with 20% off.⁠
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A small digital space, but a real moment for your work to be seen.⁠
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Secure your place through the link below
https://arrivalgallery.myflodesk.com/nycjune26

Lisbon, it finally happened.

On 7 March 2026, Arrival Gallery hosted its first ever opening in the city — a room full of artists, collectors, and people discovering new work together.

A strong start.
A warm welcome.
A city that clearly loves art.

Lisbon, thank you for the energy.

Artists, this is for you.

Tell us what kind of art you create in the comments,

painting, photography, sculpture, digital art, installation, performance, or anything in between.

We’d love to discover the artists in our community.

Asma Hamdi
Digital artist, designer, photographer. London.

Working across photography, graphic design, 3D, and collage, Asma builds layered worlds that sit between memory and imagination. Her practice draws from folklore, fashion, visual art, and cinema — creating emotionally charged images that explore identity, resistance, and the quiet power of personal narrative.

Light moves differently in Abigail Yentis’ work.

It settles into quiet rooms, soft corners, and familiar spaces, turning everyday interiors into something almost dreamlike.

Presented during our Brighton show in April 2026, Abigail’s work invites a slower kind of looking, one that notices shadows, atmosphere, memory, and the small emotional details we often pass by.

Between realism and abstraction, each piece feels like a pause: a moment held just long enough for us to feel what is hidden beneath the surface.

Catherine Portal

In Cascais, Catherine Portal fires stoneware at high temperatures, developing her own glazes and colours to achieve surfaces that feel both deliberate and instinctive.

Each piece is singular. Painted by hand. Marked with movement. Her approach is pictorial — influenced by abstraction and a belief that daily life should hold moments of joy.

Her ceramic benches emerged from a long-held vision inspired by ancient Chinese forms. Today, they exist as sculptural furniture: practical yet expressive, grounded yet fluid.

Art that doesn’t sit behind glass.
Art that becomes part of the room — or the garden.