PARAD

"IZI"
par

32 pages
Impression quadri en risographie par Quintal Atelier
200X250 mm
Reliure cousue par .publishing
Mise en page et dessins
Édition limitée de 115ex. numérotés, signés et accompagnés d’un ex-libris réalisé par Thami Nabil.

Co-publié par .publishing et à l’occasion de l’exposition « SANS DÉLAI » de Thami et à la galerie Miyu.

Disponible sur www.paradpublishing.com

—
RDV au vernissage le 16-11-2023
101 RUE DU TEMPLE
18H00
⌛️

01-07-2023/ présente .publishing

Exhibition works:davidsanchez


*x






DJ set:

b2b


MERCI X1000 HÂTE DE VOUS VOIR!!🌹

"Santos Malandros"
Contributor:

"Violence has always been present in my own life and society. The most important events in society that I grew up with, were marked by violent acts. We cannot deny it, to deny it would mean to negate our own history. Over the years, violence in its various forms adapted in our society. Consequently, we have created and designed social structures to include this violence in forms of expression, communication and socialization.

More than 5 years ago I began to document my city, the city of Caracas, Venezuela. I started this process by letting myself be guided by instincts and experiences gathered in the streets of Caracas. More and more, I’ve felt the desire to portray the images and realities that formed part of my everyday environment. The story of my life and of the lives of many young individuals who grew up in Caracas were composed of contrasting, conflicting realities. More concretely, I’ve witnessed huge social differences within the society, between people of the middle and lower classes. There is not one single reality in Caracas, but hundreds of different stories you could tell. Through photography and ethnography, I started to channel all the reflections that Caracas generated within me."

Full series from Ronald Pizzoferrato in PARAD Volume II.

JAR OF TEETH
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"I have been photographing Britain for over ten years and I’m still figuring out which cultural aspects of the country I can relate to and what it means to me that I was born and raised here. There is a lot about this island and its inhabitants that I do not respect or understand but also elements I am proud of. I do sometimes wonder how profoundly this island, its people and its past are embedded in my psyche. "

Full speech from Tommy Suss*x in PARAD Volume II.

"U RISPETTU HÈ DI STÀ ZITTU


This project gathers photographs of family archives (1950-2000) and personal taken during the last 3 years. By putting these photographs on the same level, I chose to confuse space and time as a way of inscribing a continuity and thus, by the object, to pay tribute to those who preceded me.

When I was little I heard the elders speak of the relationship to the sacred and the cult of the dead, more broadly of the values and traditions of the Corsican people. Through silence, we are taught to serve the interests of our family.

In 1963, the nocturnal Easter procession of the Catenacciu, symbolizing the ascent of Christ to Golgotha, took place in my village in Sartène (South Corsica).
My grandfather, anonymous and hooded, participated that year without any member of my family ever knowing about it.
His wife, Annonciade, will keep all her life the newspaper cuttings of this day where her husband went to expiate his sins. (cf. the Catenacciu is known to wash away serious sins of blood)

Through this photographic project, I tried to give substance to memories.
There are things that our elders told us and that we will never forget."
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21-07-2022
FANZINE LAUNCH