PluginsMasters

PluginsMasters

Partager

07/07/2026

๐Ÿค– ๐—”๐—œ ๐—ฝ๐—น๐˜‚๐—ด๐—ถ๐—ป๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†๐˜„๐—ต๐—ฒ๐—ฟ๐—ฒโ€ฆ ๐—ฏ๐˜‚๐˜ ๐˜„๐—ต๐—ถ๐—ฐ๐—ต ๐—ผ๐—ป๐—ฒ๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐—ฎ๐—ฐ๐˜๐˜‚๐—ฎ๐—น๐—น๐˜† ๐˜„๐—ผ๐—ฟ๐˜๐—ต ๐—ฎ๐—ฑ๐—ฑ๐—ถ๐—ป๐—ด ๐˜๐—ผ ๐˜†๐—ผ๐˜‚๐—ฟ ๐˜„๐—ผ๐—ฟ๐—ธ๐—ณ๐—น๐—ผ๐˜„?

In this video, shares the ๐—”๐—œ-๐—ฝ๐—ผ๐˜„๐—ฒ๐—ฟ๐—ฒ๐—ฑ ๐—ฝ๐—น๐˜‚๐—ด๐—ถ๐—ป๐˜€ he recommends for every stage of music production.

From generating new musical ideas with ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ, repairing recordings with ๐—ฑ๐˜…๐—ฅ๐—ฒ๐˜ƒ๐—ถ๐˜ƒ๐—ฒ ๐—ฃ๐—ฟ๐—ผ, aligning vocals with ๐—ฉ๐—ผ๐—ฐ๐—”๐—น๐—ถ๐—ด๐—ป ๐—ฃ๐—ฟ๐—ผ, balancing mixes with ๐˜€๐—บ๐—ฎ๐—ฟ๐˜:๐—˜๐—ค ๐Ÿฐ, controlling dynamics with ๐˜€๐—บ๐—ฎ๐—ฟ๐˜:๐—ฐ๐—ผ๐—บ๐—ฝ ๐Ÿฎ, refining tonal balance with ๐—–๐˜‚๐—ฟ๐˜ƒ๐—ฒ๐˜€ ๐—˜๐—พ๐˜‚๐—ฎ๐˜๐—ผ๐—ฟ, and mastering with ๐—ข๐˜‡๐—ผ๐—ป๐—ฒ ๐Ÿญ๐Ÿฎ - each plugin is designed to solve a ๐—ฟ๐—ฒ๐—ฎ๐—น ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฐ๐—ต๐—ฎ๐—น๐—น๐—ฒ๐—ป๐—ด๐—ฒ.

The goal isnโ€™t to let AI make music for you. Itโ€™s about spending less time on repetitive tasks and more time making ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฑ๐—ฒ๐—ฐ๐—ถ๐˜€๐—ถ๐—ผ๐—ป๐˜€.

๐ŸŽฌ ๐—™๐˜‚๐—น๐—น ๐—ฏ๐—ฟ๐—ฒ๐—ฎ๐—ธ๐—ฑ๐—ผ๐˜„๐—ป ๐—ผ๐—ป ๐—ฌ๐—ผ๐˜‚๐—ง๐˜‚๐—ฏ๐—ฒ (๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ฃ๐˜ช๐˜ฐ)

Which AI plugin has made the biggest difference in your workflow? Share your favorite in the comments ๐Ÿ‘‡

Photos from PluginsMasters's post 16/06/2026

โœจ ๐—™๐—ฟ๐—ผ๐—บ ๐˜๐—ต๐—ฒ ๐—ฃ๐—น๐˜‚๐—ด๐—ถ๐—ป๐˜€๐— ๐—ฎ๐˜€๐˜๐—ฒ๐—ฟ๐˜€ ๐—ฎ๐—ฟ๐—ฐ๐—ต๐—ถ๐˜ƒ๐—ฒ๐˜€

A few years ago, the team had the opportunity to meet ๐—ฃ๐—ฒ๐˜๐—ฒ๐—ฟ ๐——๐—ผ๐—ฒ๐—น๐—น - ๐—น๐—ฒ๐—ด๐—ฒ๐—ป๐—ฑ๐—ฎ๐—ฟ๐˜† ๐—บ๐—ฎ๐˜€๐˜๐—ฒ๐—ฟ๐—ถ๐—ป๐—ด ๐—ฒ๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ and one of the most respected names in professional audio.

Over a career spanning more than four decades, Pete has worked with artists such as and

Known for his dedication to ๐—ฐ๐—น๐—ฎ๐—ฟ๐—ถ๐˜๐˜†, ๐—ฏ๐—ฎ๐—น๐—ฎ๐—ป๐—ฐ๐—ฒ and ๐—บ๐˜‚๐˜€๐—ถ๐—ฐ๐—ฎ๐—น๐—ถ๐˜๐˜†, he has helped shape countless records from the recording stage all the way through mastering.

12/06/2026

๐ŸŽ™๏ธ ๐—”/๐—• ๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐— ๐—ถ๐—ธ๐—ถ๐—ป๐—ด ๐˜„๐—ถ๐˜๐—ต .berlin ๐—จ๐Ÿฒ๐Ÿณ

Back at with and exploring an A/B microphone technique using two legendary .berlin ๐—จ๐Ÿฒ๐Ÿณ ๐—บ๐—ถ๐—ฐ๐—ฟ๐—ผ๐—ฝ๐—ต๐—ผ๐—ป๐—ฒ๐˜€.

The goal: capture a ๐˜„๐—ถ๐—ฑ๐—ฒ, ๐—ผ๐—ฝ๐—ฒ๐—ป & ๐—ป๐—ฎ๐˜๐˜‚๐—ฟ๐—ฎ๐—น stereo piano image while preserving detail and depth.

The U67 brings ๐—ฐ๐—น๐—ฎ๐—ฟ๐—ถ๐˜๐˜†, ๐—ฝ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐—ฐ๐—ฒ and ๐—ฏ๐—ฎ๐—น๐—ฎ๐—ป๐—ฐ๐—ฒ - making it a perfect choice for modern piano recordings with a vintage character ๐ŸŽน

Small microphone movements can completely change the ๐˜„๐—ถ๐—ฑ๐˜๐—ต, ๐—ฑ๐—ฒ๐—ฝ๐˜๐—ต and ๐—ฝ๐—ผ๐˜€๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ถ๐—ป๐—ด of the piano inside a mix.

๐ŸŽฌ ๐—™๐˜‚๐—น๐—น ๐—ฏ๐—ฟ๐—ฒ๐—ฎ๐—ธ๐—ฑ๐—ผ๐˜„๐—ป ๐—ผ๐—ป ๐—ฌ๐—ผ๐˜‚๐—ง๐˜‚๐—ฏ๐—ฒ (๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ช๐˜ฏ ๐˜ฃ๐˜ช๐˜ฐ)

๐Ÿ‘‡ Whatโ€™s your favorite stereo miking technique on piano?

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