Loaded Brush

Name: Loaded Brush
Address: Perth, WA, AU
Telephone: +61894774472

15/04/2026

Still time to get tickets and join me Fearless Women's Forest Gathering!!

✨🍃𝐇𝐚𝐯𝐞 𝐲𝐨𝐮 𝐞𝐯𝐞𝐫 𝐰𝐚𝐧𝐭𝐞𝐝 𝐭𝐨 𝐬𝐩𝐞𝐧𝐝 𝐭𝐡𝐞 𝐚𝐟𝐭𝐞𝐫𝐧𝐨𝐨𝐧 𝐜𝐫𝐚𝐟𝐭𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐞 𝐟𝐨𝐫𝐞𝐬𝐭?🍃✨

On Saturday afternoon at Fearless, Harmony Village becomes the Sacred Makers Playground.

Seven different creative workshops will be running at the same time, and you can wander between them however you like. Stay in one space… or try a few. Follow what lights you up.

No pressure.
No expectations.
Just creativity, connection, and a little bit of magic under the trees.

Saturday
2:30 – 5:30pm
Harmony Village

Come and play. 🌿

22/03/2026

27/01/2026

After his older brother died, Patrick Bringley slowed his life right down, spending hours in stillness as an art gallery guard...

"I didn't want to just rush back to some office job where I was, you know, clickety-clack, back on the pace of everyday living," Patrick says of the time after his brother's death.

He'd been working on the prestigious New Yorker magazine. But what he really wanted was an "honest, straightforward job."

The job he found, at the age of 25, was to be a guard at New York’s Metropolitan Museum of Art.

During that time, he came to understand the value of stillness.

Patrick's brother died from a soft tissue sarcoma, a type of cancer. And while his brother was ill, Patrick became used to a kind of stillness.

"The stillness in hospital rooms is rather profound," he says. "I mean, there was quite a lot of just sitting by the bedside of someone who is suffering and who is dying. And in my brother's case, someone who was doing so with incredible bravery and grace."

A few weeks after his brother died at the age of 28, Patrick and his mother went on a trip to the Philadelphia Museum of Art. There, they found a similar kind of stillness amongst the paintings of love and suffering.

Patrick remembers his mother stopping in front of a painting of The Pietà - Christ's mother Mary holding her dead son in her arms - and breaking down.

A few weeks later, Patrick applied to work at New York's Met. The job involved so many hours of standing that it came with an allowance for socks - and a new pair of shoes every year.

Patrick spent ten years quietly communing with the art, or helping visitors if they needed it. In that time, he counted 8,496 painted human figures.

"You don't have any emails to write, you don't have things to do... [you just need to] be a human being, your full self... present in this moment," he says.

Patrick also found family and companionship amongst the other museum guards. Most were much older than him, and came from all over the world and all walks of life.

"I was treated as a peer," he says. "And I learned from them and I made friends with them. And I sort of, you know, gained my footing as a full-blown adult."

But what helped him above all, was the art.

"Every culture from every age has been dealing with this same sort of poignance and fragility of human existence," he says.

By spending so much time with art from all over the world, Patrick has gained a new perspective on life - and slowly come to terms with the grief of losing his brother.

"You realise that your life is not just mundane. Your life is filled with mysteries - the biggest being the mystery of this existence, in this crazy universe, on this planet teeming with life," he says.

🎧 Hear more on Outlook: https://bbc.in/45y8mXf