Kindred Cameras
The two loves of my life.
I think I’m onto a winner here. Using up the last of the leftover paper from the weekends Cyanotype workshop, I took a couple of test ideas from earlier in the week and combined them and I think what I envisioned with these ideas finally came into fruition.
By splitting up the cyanotypes and creating a collage at the end, it allows me to control the exposures of all the elements seperately so that you don’t sacrifice print quality. I think it looks kinda cool in the frame too!
For edge to edge coverage, you can’t beat this technique.
I’m not sure where I picked this up from, but it was ‘back in the day’ - I’m guessing the Christopher James Alt processes book or the classic archive of tutorials.
The idea behind it is to coat the paper fibres from every direction while also removing excess chemistry, don’t be afraid to make a mess. The end result will be a perfectly even coating, but hey, if you like the more whacky approaches then don’t let me stop you!
16/04/2026
There’s one thing wrong with this diagram, can anyone guess what it is?
Besides the mistake, this is my go to setup for flower photography.
Two stripboxes for rim light, a light on a black background and a beauty dish for key.
If you want to learn some more tips for photographing flowers, come along to my workshop next week with EP Group on the 22nd May. Bookings via the Sony Scene website.
Sony | Alpha AU & NZ Nanlite Australia Nanlite Global
26/03/2026
We wrapped up Anomaly:Out of Place on Tuesday. Huge thanks to all the artists who made it happen!
Special shoutout to our feature artist . Cheers to and for the awesome opening night.
Congrats to our prize winners:
Exhibition prize - , Film prize - .4.ever sponsored by .
And a huge congrats to for winning the people’s choice award for Liminal Space 👏👏👏👏👏
Third time lucky with this Polaroid emulsion lift to a perspex frame.
I’ve been toying around with this for the last couple of days and slowly adjusting my technique to get these transfers working well, it’s definitely different sticking the emulsion to perspex rather than paper. But I’m getting close to something exciting I think, particularly with the coloured ‘forms’, which are a great example of concrete photography (something exciting for a conceptual photography nerd like myself).
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